There is something uniquely nostalgic about walking into the Peoples Theatre at the Joburg Theatre complex on Youth Day. This season, director Jill Girard has revived a classic that hasn’t graced their stage in over a decade: the new Broadway adaptation of Peter Pan Jr.
Stepping into the auditorium this week, the energy in the room was palpable. Seeing the story brought to life on stage after many years serves as a keen reminder of why J.M. Barrie’s tale remains a cornerstone of children’s literature.
Admittedly, watching Peter Pan through adult eyes in 2026 is a hilarious exercise in subtext. My husband and I found ourselves locking eyes more than once during the performance, silently exchanging the kinds of questions only parents and adults would ask about the logistics of Neverland, the dynamics of the Darling nursery, and the parenting style of Mr and Mrs Darling. But that is a conversation for another day. What mattered on stage was the sheer, unadulterated magic, and this cast delivered it flawlessly.
Young stars and standout villains
The production relies on a dynamic blend of seasoned professional performers and an ensemble of young actors. What is most impressive is just how well these kids hold their own. In a show that demands high energy, complex staging, and flawless comedic timing, the younger cast members never missed a beat, matching the professionals step for step.
While the entire ensemble brings the Mermaid’s Lagoon and the Lost Boys’ hideout to vibrant life, the afternoon undoubtedly belonged to Lesedi Rich, who pulled double duty in the traditional doubling roles of Mr Darling and Captain Hook.
Rich is a revelation. As Hook, he strikes the absolute perfect balance for a children’s theatre villain, masterfully theatrical, delightfully wicked, yet never genuinely terrifying for the little ones in the front rows. His ability to connect with the audience, effortlessly breaking the fourth wall to charm both the wide-eyed toddlers and the chuckling parents, was exceptional. He didn’t just play the villain; he commanded the room.
A flawless production
Visually, the show is a feast. Grant Knottenbelt’s set design makes brilliant use of the space, transitioning seamlessly from the cosy, starlit London nursery to the rugged decks of the Jolly Roger. Coupled with Luciano Zuppa’s meticulous period costumes and Sandy Dyer Richardson’s energetic choreography, the production feels big, bright, and beautifully polished.
When the cast launches into classics like “I’m Flying” and “I Won’t Grow Up”, it’s impossible not to get swept up in the momentum.
If you are looking for a brilliant way to beat the winter chill and treat the family over the school break, Peter Pan Jr. comes highly recommended. It’s warm, it’s witty, and it’s proof that great storytelling never truly grows up.
The essentials
When: On stage now until Sunday, 26 July 2026
Where: Peoples Theatre at Joburg Theatre, Braamfontein
Showtimes: 10:30 and 14:30 on Saturdays, Sundays, and school holidays.
Tickets: R180 for the general public (R145 for Kids Club members) via Webtickets.
